It’s a funny thing to review a missal. You can’t review most of the content in it, since it’s not really reviewable content, so all you’re left with is a) its aesthetics, b) its utility, and c) its supplementary material. If your volume can beat out the competition on even just two out of three counts, well hey, two out of three ain’t bad. Continue reading “REVIEW: Father Lasance Missal”
Now I’m going to talk about a video game.
I just completed a run-through of some the old Assassin’ Creed 2 and AC: Brotherhood games that first came out back in 2009. It’s hard to believe that was nearly a decade ago, considering how the gameplay itself seems only to have aged a few years. Granted, I played the remastered collection that was released in 2012, so maybe that has something to do with it.
I’m behind the times. Sue me. Continue reading “Assassin’s Creed and the Liberal Narrative”
2017 was a busy year for Edward Feser, having two hot publications drop within six months of each other. One of them he co-wrote with Joseph M. Bessette on the topic of a Catholic defense of capital punishment, By Man Shall His Blood Be Shed, which I plan on reviewing later this summer. The other, Five Proofs of the Existence of God, has turned out to be one of the best books of its kind in the field of popular apologetics. It brings together into one place all of the work in apologetics and metaphysics that Feser has written about before—particularly in The Last Superstition and in various places of Scholastic Metaphysics and Aquinas—while also adding to his repertoire more fleshed out versions of proofs he had hitherto only briefly touched upon in passing. Continue reading “Five Proofs of the Existence of God – Edward Feser (Ignatius Press, 2017)”
Books on strategy comprise a gargantuan field of popular reading. The stuff of ancient conquests and military theory can certainly be interesting when handled by the right author, and it’s a pretty well-established meme to use military tactical and strategic advice as metaphors for deploying one’s skills in the business world. It stands to reason, then, that a book on strategy seeking popular sticking-power would need at least two of the following: interesting subject matter, astute and insightful explanation, and easily readable narration. Continue reading “REVIEW: On Grand Strategy – John Lewis Gaddis (Penguin Press, 2018)”
Over the past few weeks, information on the acclaimed Jordan Peterson has come to light, and most of that information is pretty damning stuff. He’s no darling of the right wing, his philosophical approach is more like that of a cult leader, and he seems to be in bed with some extremely questionable globalist characters and has been for some time. As of this post, the jury is out as to the extent of his controlled opposition—whether he’s legitimately backed by the same globalists who, say, backed Hillary Clinton’s campaign, or if he’s just an unwitting professor whose strings are easily pulled into barking up all the wrong trees. But the substance of what he’s saying in his books isn’t up for debate. He put it all out there for the world to see and, hopefully, laugh at. Continue reading “The Incongruence of Jordan Peterson”
It doesn’t take a genius to note the decrepit state of modernity (take, for example, this blog). About as cliché, although slightly more respected, is the growing state of contemporary academia to take aim at liberalism—and not merely the liberalism of the clueless BernieBro bumper stickers and effete Starbucks-intoxicated opinions on veganism, but the legitimate roots of liberalism as characterized by Locke, Mill, Rousseau, and the rest. The so-called classical liberalism of the nineteenth century, the brand contemporary ‘conservatives’ claim to embrace so well, is undergoing a well-deserved attack by what remains of the academic right. Continue reading “REVIEW: Why Liberalism Failed – Patrick J. Deneen (Yale University Press, 2018)”
Rewind for a second. It’s 2016 again. Donald Trump is allegedly in last-place during the Republican primaries. Google has been accused, though as of yet no evidence has actually come forward that would convince the Left, of being so compromised by SJWs that they’re censoring and omitting search results with their engine. Facebook, also, has been accused of burying conservative articles in the newsfeed. Twitter’s been kicking people off their platform. But so far, the fact that nearly every relevant person of interest who has been censored, de-platformed, or buried under cat videos and Buzzfeed drivel has been center-right or right-leaning is just, as they claim, a narrative. They insist: there’s nothing there. We all remember that year, and we also remember the vindication that came the following year: there was not only something there, there was a whole shitstorm there. Continue reading “REVIEW: SJWs Always Double Down – Vox Day (Castelia House, 2017)”
The flighty repetition of a flurry of violins and winds, blurring all together like the flutter of a sea of birds taking flight, simplifying and calming into one, then two, then three distinguished staccato violins chirping along—this is how it starts, the beginning of Spring, whose warm harmonic line swells and ebbs beneath the frolicking violins. I speak of Max Richter’s recomposition of Vivaldi’s great Four Seasons, the original of course possessing some of the most famous opening bars of baroque music ever composed. Continue reading “A Supermodel Frankenstein: Max Richter’s Recomposition of Vivaldi”
Ostensibly a film rife with race-baiting, intending to highlight the white liberal elite’s crypto-antebellum attitudes toward blacks, Jordan Peele’s Get Out inadvertently stumbles on something far more sinister than the tired clichés of racist white caricatures and hyperbolic political grandstanding. Continue reading “REVIEW: Get Out (Jordan Peele, 2017)”