Blade Runner 2049 Is No More Sexist Than Feminism Has Asked It To Be

The world of Blade Runner asks a lot of its audience.  At once futuristic, abstract, and startlingly familiar, the newest installment injects audiences into a dream-like expressionistic landscape populated by replicants, holograms, AI, dazzling architecture, and the occasional human being.  Surprisingly, 2049 manages to explore themes of humanity, companionship, and the relationship between the sexes that most science fiction stories leave either completely untouched or woefully underdeveloped.

This general analysis does contain spoilers. Continue reading “Blade Runner 2049 Is No More Sexist Than Feminism Has Asked It To Be”

REVIEW: Blade Runner 2049 (Denis Villeneuve, 2017)

If there’s only one time you want to make it to a movie theatre in 2017, it should be now.  This seems to be the only movie worth braving the crowds, incessant stench of over-buttered popcorn, traffic, and noise to go outside to watch.  It’s got everything anyone should want from a movie, except perhaps a satisfying finale.  And since I actually think it’s worth seeing, I’ll be avoiding spoilers for this review. Continue reading “REVIEW: Blade Runner 2049 (Denis Villeneuve, 2017)”

Wolverine, the MCU, and What Comic Book Movies Have Become

Marvel’s Cinematic Universe is dog shit.  I’ve been working intermittently on a series of posts about it for about a year at this point, but I keep returning to the same fundamental problem.  There’s nothing there.  Almost every movie is the same movie, and every one of them sucks.

But how did we get here?  Is the MCU the logical continuation of the general trends in the comic book movie genre?  Do they reflect the prevailing interests and entertainment needs of society at large, do they cater to the lowest common denominator?  If they do, what’s changed, if anything? Continue reading “Wolverine, the MCU, and What Comic Book Movies Have Become”

A Manly Film About Adolescent Trash – Logan (James Mangold, 2017)

In a time when the movie industry seems to stay afloat according to two extremes and very little middle ground, it’d be nice if a movie were to come along—like the ones from the old times—that had a little something for everyone in it.  Logan is not this movie.  Yet Logan doesn’t completely exist at either end of Hollywood’s extremes, either. Continue reading “A Manly Film About Adolescent Trash – Logan (James Mangold, 2017)”

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